American Cinema Editors (ACE) on 3 January announced nominations for the 67th Annual ACE Eddie Awards recognizing outstanding editing in ten categories of film, television and documentaries. Winners will be revealed during ACE’s annual black-tie awards ceremony on Friday, January 27, 2017 in the International Ballroom of the Beverly Hilton Hotel and will be presided over by ACE President, Stephen Rivkin.

All three of the awards season’s strongest players in the film categories are ‘La La Land,’ ‘Moonlight’ and ‘Manchester by the Sea.’ On the other side Denis Villeneuve’s alien invasion psychodrama ‘Arrival,’ Mel Gibson’s World War II epic ‘Hacksaw Ridge,’ and David Mackenzie’s indie darling ‘Hell or High Water’ fill out the drama category.

Joining ‘La La Land’ there are ‘Deadpool,’’Hail, Caesar!’, ‘The Jungle Book,’ ‘The Lobster,’ Yorgos Lanthimos’ etc.

Nominees for 67th Annual Ace Eddie Awards

Best Edited Feature Film (Dramatic):

Arrival — Joe Walker

Hacksaw Ridge — John Gilbert

Hell or High Water — Jake Roberts

Manchester by the Sea — Jennifer Lame

Moonlight — Nat Sanders, Joi McMillon

Best Edited Feature Film (Comedy):

Deadpool — Julian Clarke

Hail, Caesar! — Roderick Jaynes

The Jungle Book — Mark Livolsi

La La Land — Tom Cross

The Lobster — Yorgos Mavropsaridis

Best Edited Animated Feature Film:

Kubo and the Two Strings — Christopher Murrie

Moana — Jeff Draheim 

Zootopia — Fabienne Rawley & Jeremy Milton

Best Edited Documentary (Feature):

13^th — Spencer Averick

Amanda Knox — Matthew Hamachek

The Beatles: Eight Days A Week – The Touring Years — Paul Crowder

O.J.: Made in America — Bret Granato, Maya Mumma & Ben Sozanski

Weiner — Eli B. Despres

Best Edited Documentary (Television):

The Choice 2016 — Steve Audette

Everything is Copy — Bob Eisenhardt

We Will Rise: Michelle Obama’s Mission to Educate Girls Around the World — Oliver Lief

Best Edited Half-Hour Series:

Silicon Valley: ‘The Uptick’ — Brian Merken

Veep: ‘Morning After’ — Steven Rasch

Veep: ‘Mother’ — Shawn Paper

Best Edited One-Hour Series (Commercial):

Better Call Saul: ‘Fifi’ — Skip Macdonald  

Better Call Saul: ‘Klick’ — Skip Macdonald & Curtis Thurber

Better Call Saul: ‘Nailed’ — Kelley Dixon & Chris McCaleb

Mr. Robot: ‘eps2.4m4ster-s1ave.aes’ — Philip Harrison

This is Us: ‘Pilot’ — David L. Bertman

Best Edited One-Hour Series (Non-Commercial):

The Crown: ‘Assassins’ — Yan Miles

Game of Thrones: ‘Battle of the Bastards’ — Tim Porter

Stranger Things: ‘Chapter One: The Vanishing of Will Byers’ — Dean Zimmerman

Stranger Things: ‘Chapter Seven: The Bathtub’ — Kevin D. Ross

Westworld: ‘The Original’ — Stephen Semel & Marc Jozefowicz

Best Edited Mini-Series Or Motion Picture (Non-Theatrical):

All the Way — Carol Littleton

The Night Of: ‘The Beach’ — Jay Cassidy

The People V. O.J. Simpson: American Crime Story ‘Marcia, Marcia, Marcia’ — Adam Penn, Stewart Schill & C. Chi-yoon Chung

Best Edited Non-Scripted Series:

Anthony Bourdain: Parts Unknown: ‘Manila’ — Hunter Gross

Anthony Bourdain: Parts Unknown: Senegal — Mustafa Bhagat

Deadliest Catch: ‘Fire at Sea: Part 2’ — Josh Earl, ACE & Alexander Rubinow

American Cinema Editors (ACE) is an honorary society of film editors that are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing founded in 1950.